The artwork represented here ranges from the Deer Hides with hair on or off to contemporary comics. Ledge art represents a transitional form of Plains Indian artistry corresponding to the forced reduction of Plains tribes to government reservations, roughly between 1860 and 1900. Due to the destruction of the buffalo herds and other game animals of the Great Plains by Anglo-Americans during and after the Civil War, painting on buffalo hide gave way to works on paper, muslin, canvas, and occasionally commercially prepared cow or buffalo hides.
Changes in the content of pictographic art, the rapid adjustment of Plains artists to the relatively small size of a sheet of ledger paper, and the wealth of detail possible with new coloring materials, mark Plains ledger drawings as a new form of Native American art. As such, ledger painting portrays a transitional expression of art and material culture that links traditional (pre-reservation) Plains painting to the Plains and Pueblo Indian painting styles that emerged during the 1920s in Indian schools in Oklahoma and New Mexico.
Beginning in the early 1860s, Plains Indian men adapted their representational style of painting to paper in the form of accountants’ ledger books. Traditional paints and bone and stick brushes used to paint on hide gave way to new implements such as colored pencils, crayon, and occasionally watercolor paints. Plains artists acquired paper and new drawing materials in trade, as booty after a military engagement, or from a raid. Initially, the content of ledger drawings continued the tradition of depicting military exploits and important acts of personal heroism already established in representational painting on buffalo hides and animal skins. As the US government implemented the forced relocation of the Plains peoples to reservations, for all practical purposes completed by the end of the 1870s, Plains artists added scenes of ceremony and daily life from before the reservation to the repertoire of their artwork, reflecting the social and cultural changes brought by life on the reservation within the larger context of forced assimilation.

Each of the hides is an original work of art painted on deer hide. The hides vary in size and the artist has found inspiration with the natural shapes and irregularities in each of the pieces. These are fabulous works of art. They can be displayed on a wall using only thumbtacks.

The comic paintings are acrylic originals and the artist has a comic strip "Without Reservations" which he does for the Santa Fe New Mexican and he is soon to release a book of his artwork.


Native American Painted Hides | Native American Painted Deer Hides | Native Amercian Historical Drawings
Native American Small Painted Hides | Indian Painted Hides | Indian Painted Deer Hides